{"title":"G. Henle Verlag Collections up to 31% Off","description":"\u003cp\u003e\u003cspan style=\"color: rgb(26, 25, 25); font-family: sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\" id=\"isPasted\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e* \u003cstrong\u003ePurchase one of selected\u0026nbsp;\u003c\/strong\u003e\u003cstrong id=\"isPasted\" style=\"box-sizing: border-box; font-weight: 700; color: rgb(255, 42, 0); font-family: sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eG. Henle Verlag Collections to get a free\u0026nbsp;\u003cstrong id=\"isPasted\" style=\"box-sizing: border-box; font-weight: 700; color: rgb(255, 42, 0); font-family: sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eG. Henle Verlag pencil or\u0026nbsp;\u003cstrong id=\"isPasted\" style=\"box-sizing: border-box; font-weight: 700; color: rgb(255, 42, 0); font-family: sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eSticky Note.\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cspan id=\"isPasted\" style=\"color: rgb(255, 42, 0); font-family: sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;\"\u003e*\u0026nbsp;\u003c\/span\u003e\u003cstrong style=\"box-sizing: border-box; font-weight: 700; color: rgb(255, 42, 0); font-family: sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003ePurchase at least two of selected\u0026nbsp;\u003c\/strong\u003e\u003cstrong id=\"isPasted\" style=\"box-sizing: border-box; font-weight: 700; color: rgb(255, 42, 0); font-family: sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; background-color: rgb(255, 255, 255);\"\u003eG. Henle Verlag Collections $399 or above to get a free Tom Lee Tote Bag.\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e— Images are for reference only.\u003cbr data-mce-fragment=\"1\" id=\"isPasted\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— Free gift offer only available at in-store or pick up orders. All offers are available at first-come first served basis.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e—\u0026nbsp;\u003c\/span\u003eTerms and conditions apply. In case of dispute, the decision of Tom Lee Music shall be final.\u003c\/p\u003e","products":[{"product_id":"schumann-fantasy-pieces-op73-clarinet","title":"Schumann Fantasy Pieces Op73 Clarinet","description":"\u003cp\u003eThe circumstances in which these poetic “Soirée Pieces” (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces, whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the clarinet, they were accompanied by alternative parts for violin and cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":33269552218171,"sku":"080\/HN416","price":169.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0416.jpg?v=1586523730"},{"product_id":"schumann-3-romances-op94-for-oboe","title":"Schumann 3 Romances Op.94 For Oboe","description":"\u003cp\u003eIn 1849, Schumann gifted chamber music works to three wind instruments: the clarinet with the “Drei Fantasiestücke” op. 73, the horn with the Adagio and Allegro op. 70, and the oboe with these “Drei Romanzen” op. 94. In the first Romance we have a ballade-like mood in a minor. The second romance resembles a song without words, and is in A major, while the finale, with its calling motifs and piano arpeggios, recalls the popular poems of Northern Europe of the time.\u003cbr\u003eComposed in December 1849, the Romanzen were presented to Schumann’s wife Clara as a Christmas present. This manuscript does not survive, but it has been possible to consult some autograph sketches for our Urtext. The editor’s preface and commentary provide extensive information about the sources and the textual problems encountered.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":33269552447547,"sku":"080\/HN427","price":159.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0427.jpg?v=1586523733"},{"product_id":"henle-protector","title":"Henle Protector","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTransparent protective cover\u003c\/span\u003e for Urtext Editions, fits all spine widths in format 23.5 x 31 cm \u003cspan data-mce-fragment=\"1\"\u003e(9.5 x 12 in).\u003c\/span\u003e\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":33269552709691,"sku":"080\/HN8017","price":28.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/website-bildmontage.jpg?v=1586523735"},{"product_id":"haydn-cello-concc-hobviib1","title":"Haydn: Violoncello Concerto C major Hob. VIIb:1","description":"\u003cp\u003eJoseph Haydn’s concertos for violoncello and orchestra stand out for their lightness and elegance. The Concerto in C major Hob. VIIb:1 was most likely written between 1762 and 1765, when Haydn was already in service as Kapellmeister, or music director, to Prince Esterházy. The concerto was for a long time known only through an entry by Haydn in his handwritten catalogue of works, and the music itself was unknown. It was not until 1961 that a copy of the work was found, and since then it has successfully held its own against the Concerto in D major Hob. VII:2. The services of Haydn specialist Sonja Gerlach have been obtained for this edition of the concerto with piano accompaniment. She enriches the Urtext edition with a detailed preface that also examines focuses on the execution of the ornaments and the cadenzas.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":33269552906299,"sku":"080\/HN417","price":199.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0417.jpg?v=1586523738"},{"product_id":"debussy-la-plus-que-lente-valsepiano","title":"Debussy: La plus que lente – Valse (Piano)","description":"\u003ch3\u003eClaude Debussy\u003c\/h3\u003e\n\u003cp\u003eErnst-Günter Heinemann (Editor)\u003cbr\u003e\u003cbr\u003eHans-Martin Theopold (Fingering)\u003c\/p\u003e\n\u003cp\u003eSlow waltzes enjoyed a special vogue in Parisian salons of the early twentieth century, leading Debussy – with a twinkle in his eye – to produce his piano waltz “La plus que lente” (“The Slower-than-Slow”). Parisian publisher Durand brought Debussy’s piano waltz, issued in July 1910, to a wider public by publishing it that same year as a supplement to Le Figaro, as well as in arrangements (by others) for violin and piano and for piano, 4-hands. Debussy himself produced a version for orchestra, and in 1913 he even – at a rather faster tempo – recorded it on a piano roll for the Welte-Mignon company. This work, headed “molto rubato con morbidezza” (with suppleness), is now available as a separate Henle Urtext. A preface, extended from those in the anthology volumes HN 1194 and HN 404, will stimulate curiosity about this charming miniature waltz.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":33269553070139,"sku":"080\/HN1318","price":79.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-1318.jpg?v=1586523740"},{"product_id":"chopin-nocturnes-for-piano","title":"Chopin: Nocturnes (Piano)","description":"\u003ch3\u003eFrédéric Chopin 蕭邦\u003c\/h3\u003e\n\u003cp\u003eEwald Zimmermann (Editor)\u003cbr\u003e\u003cbr\u003eHans-Martin Theopold (Fingering)\u003c\/p\u003e\n\u003cp\u003eTime and again, Chopin succeeded in giving different piano music genres their own individual characters, whether etudes, preludes, waltzes, scherzi or nocturnes. The Irishman John Field had already composed over 20 nocturnes, which presumably greatly influenced Chopin. The latter continued to develop the light, song-like piano writing and created works whose dreamy, longing atmosphere came to embody Chopin’s music. Our volume contains the works that were published during Chopin’s lifetime as well as ones which were only published posthumously, including the famous Lento con gran espressione in c sharp minor – in two authentic versions.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":33269553233979,"sku":"080\/HN185","price":268.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0185.jpg?v=1586523743"},{"product_id":"brahms-clarinet-sonatas-op120","title":"Brahms: Clarinet Sonatas Op.120","description":"\u003ch3\u003eJohannes Brahms\u003c\/h3\u003e\n\u003cp\u003eEgon Voss (Editor)\u003cbr\u003e\u003cbr\u003eJohannes Behr (Editor)\u003cbr\u003e\u003cbr\u003eKlaus Schilde (Fingering)\u003c\/p\u003e\n\u003cp\u003eIn 1894 Johannes Brahms asked the clarinettist Richard Mühlfeld to visit him during his beloved summer sojourn in Ischl, adding “It would be really wonderful if you brought your B flat clarinet with you, and if you were in no great hurry” – for the two Sonatas op. 120 were waiting to be rehearsed. The first performances were given privately directly afterwards and the press enthusiastically reported: “The sonatas [...] are wonderful and will cause a great sensation”. Our edition of this work, today part of the clarinettist’s core repertoire, continues the revision of Brahms’s Duo Sonatas following the text in the new Brahms Complete Edition.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":33269553365051,"sku":"080\/HN987","price":289.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0987.jpg?v=1586523746"},{"product_id":"beethoven-violin-sonata-in-f-major-op24","title":"Beethoven: Violin Sonata F major op. 24 (Spring)","description":"\u003ch3\u003e\u003cspan\u003eLudwig van Beethoven 貝多芬\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eSieghard Brandenburg (Editor)\u003cbr\u003e\u003cbr\u003eHans-Martin Theopold (Fingering)\u003cbr\u003e\u003cbr\u003eMax Rostal (Fingering and bowing for Violin)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBeethoven’s Spring Sonata is one of his happiest creations. Violinists and pianists alike love its truly spring-like grace, inwardness, spirit and power. Early reviewers underscored the fact that the sonata “is not at all difficult to perform and is thus recommended to a larger public.” This still applies today and raises the work to the status of one of the most popular violin sonatas of all time.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":33269553528891,"sku":"080\/HN162","price":159.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0162.jpg?v=1586523748"},{"product_id":"bach-french-suites-bwv-812-817817-piano","title":"Bach: French Suites BWV 812-817 (Piano)","description":"\u003cdiv class=\"column-content\"\u003e\n\u003cdiv class=\"overflow-wrapper\"\u003e\n\u003cdiv class=\"lower-part\"\u003e\n\u003cdiv class=\"article-text\"\u003e\n\u003ch3\u003e\u003cspan\u003eJohann Sebastian Bach 巴哈\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eUllrich Scheideler (Editor)\u003cbr\u003e\u003cbr\u003eMichael Schneidt (Fingering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJohann Sebastian Bach’s three great cycles of suites belong to the fundamental canon of piano literature: the Partitas and the so-called English and French Suites. It is the French Suites that have long been by far the most popular – and this was also the case at the time that they were written. However, this also creates problems for an editor preparing an Urtext edition, because a vast number of copies of them were made by Bach’s circle of pupils, and these contain many presumably authentic variants. In this revised Henle Urtext edition, Ullrich Scheideler explains the complicated source situation with exemplary clarity. He lists the more minor source variants in footnotes; where there are major differences, both versions of individual movements are printed in full. Our opulent volume is rounded off with an appendix offering alternative and additional pieces. This Henle Urtext edition has been completely revised, and also offers new fingerings. It enables pianists and Bach enthusiasts alike to re-discover Bach’s universe for themselves!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column-cart\"\u003eFrench Suite d minor BWV 812\u003cbr data-mce-fragment=\"1\"\u003eFrench Suite c minor BWV 813\u003c\/div\u003e\n\u003cdiv class=\"column-cart\"\u003eFrench Suite b minor BWV 814\u003cbr data-mce-fragment=\"1\"\u003eFrench Suite E flat major BWV 815\u003cbr data-mce-fragment=\"1\"\u003eFrench Suite G major BWV 816\u003cbr data-mce-fragment=\"1\"\u003eFrench Suite E major BWV 817\u003c\/div\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805598716059,"sku":"080\/HN593","price":199.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0593.jpg?v=1593510972"},{"product_id":"bach-two-part-inventions","title":"Bach: Two Part Inventions (Piano)","description":"\u003ch3\u003e\u003cspan\u003eJohann Sebastian Bach 巴哈\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eUllrich Scheideler (Editor)\u003cbr\u003e\u003cbr\u003eMichael Schneidt (Fingering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAll piano students are familiar with Bach’s two-part Inventions – but virtuosos of the keyboard also keep coming back to these timelessly beautiful but by no means easy works. It is hard to believe what Bach was able to express using only two parts! In his famous preface the composer himself calls the work an “Instruction” which teaches students and keyboard lovers to “treat correctly” several parts, to “achieve a singing style in playing” and to “acquire a strong foretaste of composition”. We are now presenting a new edition of this classic collection, which draws upon all known sources.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805598945435,"sku":"080\/HN591","price":139.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0591.jpg?v=1593510974"},{"product_id":"bach-toccatas-bwv-910-916-piano-with-fingering","title":"Bach: Toccatas BWV 910-916 (Piano) with fingering","description":"\u003ch3\u003e\u003cspan\u003eJohann Sebastian Bach 巴哈\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eRudolf Steglich (Editor)\u003cbr\u003e\u003cbr\u003eHans-Martin Theopold (Fingering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBach most likely composed his Toccatas in his early creative years, between 1707 and 1713; they can be seen as the products of Bach‘s own “Sturm und Drang” period, and were not planned as an interconnected work cycle, but as autonomous works written at different times. As was customary for this genre, the toccatas emphasize virtuoso and improvisatory elements, and, occasionally, the recitative aspect as well. What is indispensable is Bach’s mastery of the polyphonic technique, the rich harmonies, and the inexhaustible wealth of his inventiveness.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805600026779,"sku":"080\/HN126","price":279.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0126.jpg?v=1593510977"},{"product_id":"bach-inventions-and-sinfonias","title":"Bach: Inventions and Sinfonias (Piano with fingering)","description":"\u003ch3\u003e\u003cspan\u003eJohann Sebastian Bach 巴哈\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eUllrich Scheideler (Editor)\u003cbr\u003e\u003cbr\u003eMichael Schneidt (Fingering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBach’s Inventions and Sinfonias are rightly considered as indispensable to every pianist. In his famous preface to the collection, Bach himself called it an “Instruction” which teaches students and keyboard lovers to “treat correctly” both two and three voices, to “achieve a singing style in playing” and to “acquire a strong foretaste of composition”. To this end, Bach created timelessly beautiful music which has lost nothing of its relevance to us nearly 300 years after its creation. We are now presenting a new edition of this classic collection, which draws upon all known sources and offers the best in “instruction”, especially with respect to the transmitted embellishment variants. The new Bach – ideal for pianists of every age!\u003c\/p\u003e","brand":"HENLE G. 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But beyond the guarantee of a reliable musical text, the Henle edition scores points in terms of text layout; thanks to a foldout solo part, turning pages is made comfortable, something that was previously a challenge because of the literally non-stop, continuous sixteenth notes in the opening movement. Other publishers have since copied this idea. Only the piano reduction from Henle – in all three of Bach’s violin concertos – can be effortlessly performed off the page, even by the lay musician.\u003c\/p\u003e","brand":"HENLE G. 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The basis for the musical text was Henle’s revised edition of Part I published in 1997 and Yo Tomita’s revision of Part II (Spring 2007). A detailed commentary rounds off the editions. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions without fingerings and as study editions.\u003c\/span\u003e\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805604352155,"sku":"080\/HN14","price":339.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0014.jpg?v=1593510987"},{"product_id":"bach-the-well-tempered-clavier-part-ii-bwv-870-893","title":"Bach: The Well-Tempered Clavier Part II BWV 870-893","description":"\u003ch3\u003e\u003cspan\u003eJohann Sebastian Bach 巴哈\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eYo Tomita (Editor)\u003cbr\u003e\u003cbr\u003eAndrás Schiff (Fingering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe world-famous pianist András Schiff, a most familiar name to Bach fans on account of his complete recordings of Bach’s piano works, has provided fingerings for both parts of the Well-Tempered Clavier. He discusses aspects of performance practice in a detailed preface. The basis for the musical text was Henle’s revised edition of Part I published in 1997 and Yo Tomita’s revision of Part II (spring 2007). The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions without fingerings and as study editions.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805606285467,"sku":"080\/HN16","price":269.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0016.jpg?v=1593510989"},{"product_id":"beethovenpiano-sonata-no-8-in-c-minor-op-13","title":"Beethoven: Piano Sonata No. 8 in C Minor, Op. 13","description":"\u003ch3\u003e\u003cspan\u003eLudwig van Beethoven 貝多芬\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eA highly authoritative Urtext edition of Ludwig Van Beethoven's \u003cem\u003ePiano Sonata In C Minor 'Pathetique' Op.13\u003c\/em\u003e as edited by Bertha Antonia Wallner and fingered by Conrad Hansen. \u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805607563419,"sku":"080\/HN48","price":75.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/hn48_1.jpg?v=1593510991"},{"product_id":"beethoven-piano-sonatas-v-2","title":"Beethoven, Piano Sonatas, Volume II","description":"\u003ch3\u003e\u003cspan\u003eLudwig van Beethoven 貝多芬\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eBertha Antonia Wallner (Editor)\u003cbr\u003e\u003cbr\u003eConrad Hansen (Fingering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. After its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source.\u003cbr\u003e\u003cbr\u003eThe printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen).\u003cbr\u003e\u003cbr\u003eG. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert, Claudio Arrau, Conrad Hansen and Artur Schnabel.\u003cbr\u003e\u003cbr\u003eBeethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bülow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” The 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app).\u003cbr\u003e\u003cbr\u003eThe features of the Beethoven piano sonatas in Henle Urtext editions at a glance:\u003cbr\u003e- a scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date\u003cbr\u003e- optimisations of the musical score as a result of continuous usage in musical practice\u003cbr\u003e- all important information about musical passages included in footnotes on the same page\u003cbr\u003e- notational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving\u003cbr\u003e- fingering suggestions by Conrad Hansen (alternatives in the app)\u003cbr\u003e- available in two collected volumes with fingerings, paperbound or clothbound\u003cbr\u003e- available without fingerings, paperbound\u003cbr\u003e- each sonata also available separately (in print and in the app)\u003cbr\u003e\u003cbr\u003eIn order to satisfy the increasing need for more heavily annotated Urtext editions, but also in order to document the eminent Beethoven knowledge of one of the greatest living pianists of our age, Murray Perahia, G. Henle Publishers has for some time now been gradually publishing the complete Beethoven sonatas in a parallel Urtext edition, the \u003ca href=\"https:\/\/www.henle.de\/en\/search\/?q=perahia\u0026amp;katalog=1\"\u003ePerahia Edition\u003c\/a\u003e.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805607923867,"sku":"080\/HN34","price":459.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0034.jpg?v=1593510994"},{"product_id":"beethoven-piano-sonatas-volume-i","title":"Beethoven: Piano Sonatas, Volume I","description":"\u003ch3\u003e\u003cspan\u003eLudwig van Beethoven 貝多芬\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eBertha Antonia Wallner (Editor)\u003cbr\u003e\u003cbr\u003eConrad Hansen (Fingering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor decades, the two-volume Henle Urtext edition of Beethoven’s piano sonatas has maintained its status across the globe as the standard edition of reference among pianists. After its publication at the beginning of the 1950s, edited by the Munich musicologist Bertha Antonia Wallner – with the support of the Beethoven Archive in Bonn – this outstanding editorial achievement was quickly recognised by the world of pianists as a new benchmark. Its decades-long, rigorous field testing led to improvements and refinements such that this Henle Urtext edition of Beethoven’s piano sonatas is universally regarded today as the reference source.\u003cbr\u003e\u003cbr\u003eThe printed fingerings provided by the pianist and important musical pedagogue Conrad Hansen are regarded as meaningful suggestions for solving technical and musical problems: “as few fingerings as possible, albeit instructive ones” (Hansen).\u003cbr\u003e\u003cbr\u003eG. Henle Publishers also offers the Beethoven sonatas in an alternative Urtext print edition without any fingerings (HN 1032 and HN 1034), as well as a pocket score in our study score series (HN 9032 and HN 9034) And interested parties may also find the sonatas in the digital version in the “Henle Library” app, here in conjunction with a variety of subjective, selectable fingerings by the likes of Eugen d’Albert, Claudio Arrau, Conrad Hansen and Artur Schnabel.\u003cbr\u003e\u003cbr\u003eBeethoven’s 32 piano sonatas unfurl before us a virtually inexhaustible wealth of pianistic and musical flights of fancy, predominantly works of the greatest familiarity in piano lessons, concert halls, and recordings. Hans von Bülow emphasised the importance and significance of Beethoven’s piano sonatas with his bon mot that they constituted the “New Testament of music.” The 32 sonatas with opus numbers are a conscious choice; the three “Electoral” Sonatas by the thirteen-year-old boy, WoO 47, are not included in the “New Testament.” These are available from Henle in a separate Urtext edition (HN 255). G. Henle Publishers also offers every Beethoven sonata as a standalone Urtext edition (in print or in the app).\u003cbr\u003e\u003cbr\u003eThe features of the Beethoven piano sonatas in Henle Urtext editions at a glance:\u003cbr\u003e- a scholarly, critical Urtext edition on the basis of all available sources, always kept up-to-date\u003cbr\u003e- optimisations of the musical score as a result of continuous usage in musical practice\u003cbr\u003e- all important information about musical passages included in footnotes on the same page\u003cbr\u003e- notational settings of unmatched beauty and accuracy thanks to traditional musical hand-engraving\u003cbr\u003e- fingering suggestions by Conrad Hansen (alternatives in the app)\u003cbr\u003e- available in two collected volumes with fingerings, paperbound or clothbound\u003cbr\u003e- available without fingerings, paperbound\u003cbr\u003e- each sonata also available separately (in print and in the app)\u003cbr\u003e\u003cbr\u003eIn order to satisfy the increasing need for more heavily annotated Urtext editions, but also in order to document the eminent Beethoven knowledge of one of the greatest living pianists of our age, Murray Perahia, G. Henle Publishers has for some time now been gradually publishing the complete Beethoven sonatas in a parallel Urtext edition, the \u003ca href=\"https:\/\/www.henle.de\/en\/search\/?q=perahia\u0026amp;katalog=1\"\u003ePerahia Edition\u003c\/a\u003e.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805609824411,"sku":"080\/HN32","price":459.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0032.jpg?v=1593510996"},{"product_id":"beethoven-violin-sonatas-volume-i","title":"Beethoven: Violin Sonatas, Volume I","description":"\u003ch3\u003e\u003cspan\u003eLudwig van Beethoven 貝多芬\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eLudwig van Beethoven wrote his ten violin sonatas during a period of just fifteen years, between 1797 and 1812. Using our carefully revised two-volume edition of the complete sonatas, the performer can observe with fascination how Beethoven refashions, and varies, the principles of sonata form in each work. What makes this Urtext edition particularly valuable is the fact that all the sonatas have been edited using the surviving manuscripts as well as the original print editions personally supervised by Beethoven. When laying out the text, our editor has attempted to preserve the layout of these sources as exactly as possible. Thus Beethoven’s original notation is reproduced in strict conformity with these models, vividly elucidating the musical relationships desired by the composer. Along with an annotated part, an extra part without fingerings is included for violinists who want to establish their own approach to Beethoven’s violin sonatas.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805610807451,"sku":"080\/HN7","price":469.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0007.jpg?v=1593510999"},{"product_id":"chopin-waltzes-for-piano","title":"Chopin: Waltzes (Piano)","description":"\u003ch3\u003eFrédéric Chopin 蕭邦\u003c\/h3\u003e\n\u003cp\u003eEwald Zimmermann (Editor)\u003cbr\u003e\u003cbr\u003eHans-Martin Theopold (Fingering)\u003c\/p\u003e\n\u003cp\u003eChopin revolutionized the etude – but he ennobled the waltz. He spent much time on this genre throughout his life and created a wide spectrum of forms, from virtuosic showpieces – the Grandes Valses Brillantes – to deeply melancholic atmospheric pictures. All these works have one thing in common: one cannot and should not dance to them! Our volume contains all of the waltzes that were published during Chopin’s lifetime, or posthumously, including popular masterpieces such as the so-called “Minute Waltz” (op. 64 no. 1). In cases where two authentic versions of the same waltz have been transmitted, we naturally give the Urtext of both versions.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805611430043,"sku":"080\/HN131","price":259.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0131.jpg?v=1593511001"},{"product_id":"chopin-etudes-for-piano","title":"Chopin: Etudes (Piano)","description":"\u003ch3\u003eFrédéric Chopin 蕭邦\u003c\/h3\u003e\n\u003cp\u003eChopin succeeded in doing something truly remarkable with his two cycles of Etudes op. 10 and op. 25, published in 1833 and 1837 respectively. Probably no one before him had composed technical practice pieces that at the same time reached such musical heights. Chopin’s Etudes are character pieces that are full of tension, written for the concert hall. The virtuosic works, including long-running hits such as the “Revolutionary Etude” op. 10 no. 12 belong to the pianist’s core repertoire. In addition to the two cycles op. 10 and op. 25, our Urtext edition also contains three Etudes without opus number, which Chopin composed for a Parisian piano method in 1840: wonderfully lyrical miniatures, which can hold their own with the 24 grand studies.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805611954331,"sku":"080\/HN124","price":279.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0124.jpg?v=1593511004"},{"product_id":"chopin-impromptus-for-piano","title":"Chopin: Impromptus (Piano)","description":"\u003ch3\u003eFrédéric Chopin 蕭邦\u003c\/h3\u003e\n\u003cp\u003eHardly unexpectedly for a genre created by Franz Schubert, Chopin’s four Impromptus have a strongly improvisatory character, while still overflowing with fleet-footed lightness, as well as with dignity and tastefulness. This applies above all to the first three pieces of this volume, opp. 29, 36 and 51. Whereas the first was written in 1837, the other two were composed during Chopin’s relationship with the authoress George Sand, at her country seat of Nohant: op. 36 in 1839, op. 51 three years later. The opus number of the Fantaisie Impromptu, op. 66, is misleading, since the piece had already been written in 1834 as the first of the four works. Chopin had apparently not envisioned its printing, and it was issued only after his death, thanks to the efforts of his friend Julian Fontana.\u003cbr\u003eThe print diverges so strongly from the – fortunately – extant autograph, however, that both versions are reproduced in the Henle Urtext edition.\u003c\/p\u003e","brand":"HENLE G. 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Following the \"Préludes\", we have now thoroughly re-evaluated this edition and revised it to include the latest scholarly findings. The most significant ones are documented in the printed critical apparatus; the detailed version can be downloaded here.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805613559963,"sku":"080\/HN862","price":239.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0862.jpg?v=1593511009"},{"product_id":"chopin-polonaises-for-piano","title":"Chopin: Polonaises (Piano)","description":"\u003ch3\u003eFrédéric Chopin 蕭邦\u003c\/h3\u003e\n\u003cp\u003eThe polonaise made its first appearances in stylized dance music in the late 16th century. With his own polonaises, Chopin also declared his allegiance to his native Poland. In a way, the genre had fascinated him since his childhood. His earliest printed work was a Polonaise (KK IIa no. 1 in g minor), which he had written at the age of seven. The first three posthumously published Polonaises op. 71 as well as KK IVa nos. 1–3, 5 and 8 are juvenilia from the Warsaw years. The mature works begin with the seven great Polonaises op. 26 nos. 1 and 2, op. 40 nos. 1 and 2, op. 44 and 53, and, above all, the Polonaise-Fantaisie op. 61 of 1845\/46, Chopin’s last great piano work. With their mixture of festiveness and refinement, of power and suppleness, of heroic pathos and graceful charm, they all testify to the inimitable artistry of this great composer.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805613691035,"sku":"080\/HN217","price":319.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0217.jpg?v=1593511011"},{"product_id":"debussy-suite-bergamasque-for-piano","title":"Debussy: Suite bergamasque (Piano)","description":"\u003ch3\u003eClaude Debussy\u003c\/h3\u003e\n\u003cp\u003eErnst-Günter Heinemann (Editor)\u003cbr\u003e\u003cbr\u003eHans-Martin Theopold (Fingering)\u003cbr\u003e\u003cbr\u003eFrançois Lesure (Preface)\u003c\/p\u003e\n\u003cp\u003eAlthough it was only published in 1905, Debussy made it clear that this was an early work by writing the date of composition “1890” on the proofs. He had sold the manuscript, now lost, to the publisher Choudens in 1890 without it actually being published. Yet the delayed publication date shows that Debussy was still very convinced of the value of the work. The composition has four movements and became popular in particular on account of the slow movement Clair de lune (HN 391), which seems to evoke the atmosphere of a moonlit night with its particular aura. Countless transcriptions for various groups of instruments demonstrate the unbroken popularity of the piece, but also of the complete suite.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805614117019,"sku":"080\/HN381","price":129.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0381.jpg?v=1593511013"},{"product_id":"debussy-clair-de-lune","title":"Debussy: Clair de lune (Piano)","description":"\u003ch3\u003eClaude Debussy\u003c\/h3\u003e\n\u003cp\u003eErnst-Günter Heinemann (Editor)\u003cbr\u003e\u003cbr\u003eHans-Martin Theopold (Fingering)\u003cbr\u003e\u003cbr\u003eFrançois Lesure (Preface)\u003c\/p\u003e\n\u003cp\u003eThis piece, probably the young Debussy’s best known piano piece, was the slow third movement of his Suite bergamasque (HN 381) in four movements. Although it is conventional as far as the harmony is concerned, the tonal and melodic details already anticipate Debussy’s later piano style. The suite was only published in 1905, although Debussy had made it clear by adding the date of composition “1890” to the proofs that it was an earlier work. The fact that he agreed to its publication shows that he still identified with this piece from a period whose style he had long since left behind him.\u003c\/p\u003e","brand":"HENLE G. 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The manuscripts have survived for many of Mozart’s sonatas, and for some of his works he made slight changes to the text before printing. For this reason we provide both versions in such cases. The editor’s preface and critical commentary provide detailed information concerning all of the sources and questions regarding the text.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805616083099,"sku":"080\/HN1","price":289.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0001.jpg?v=1593511018"},{"product_id":"mozart-piano-sonatas-volume-ii","title":"Mozart: Piano Sonatas, Volume II","description":"\u003ch3\u003eWolfgang Amadeus Mozart 莫札特\u003c\/h3\u003e\n\u003cp\u003eWolf-Dieter Seiffert (Editor)\u003cbr\u003e\u003cbr\u003eErnst Herttrich (Editor)\u003cbr\u003e\u003cbr\u003eHans-Martin Theopold (Fingering)\u003cbr\u003e\u003cbr\u003eMarkus Bellheim (Fingering)\u003c\/p\u003e\n\u003cp\u003eWhen Günter Henle founded his Urtext publishing house in 1948, the first work in the catalogue was the two volume edition of all of Mozart’s piano sonatas. Even today they still bear our numbers HN 1 and HN 2. Over the years both of the volumes have been revised several times so that the musical text always reflects the latest in scholarly research. The manuscripts have survived for many of Mozart’s sonatas, and for some of his works he made slight changes to the text before printing. For this reason we provide both versions in such cases. The editor’s preface and critical commentary provide detailed information concerning all of the sources and questions regarding the text.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805616378011,"sku":"080\/HN2","price":289.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0002.jpg?v=1593511020"},{"product_id":"brahms-piano-pieces","title":"Brahms: Piano Pieces","description":"\u003ch3\u003eJohannes Brahms\u003c\/h3\u003e\n\u003cp\u003eKatrin Eich (Editor)\u003cbr\u003e\u003cbr\u003eAndreas Boyde (Fingering)\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms’ late piano works in the form of the two editions HN 36 (paperbound) and 37 (clothbound) have been a cornerstone of the Henle catalogue ever since the early 1950s. In 2011 the volume with piano pieces (HN 6014) was published in the new Brahms Complete Edition, an edition of these important works that reflected the latest in scholarly research. Having already published single volumes of our Urtext editions of opus numbers 76, 79 and 116–119 with the up-to-date musical text in the Complete Edition, we are now rounding off this Brahms project by publishing the revised volume of collected works, available as a classic paperbound, clothbound or handy study edition. An open invitation to all those who wish to immerse themselves in Brahms’ fascinating piano cosmos.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805617229979,"sku":"080\/HN564","price":329.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0564.jpg?v=1593511023"},{"product_id":"brahms-piano-pieces-op-118","title":"Brahms: Piano Pieces Op. 118","description":"\u003ch3\u003eJohannes Brahms\u003c\/h3\u003e  \u003cp\u003eKatrin Eich (Editor)\u003cbr\u003e\u003cbr\u003eAndreas Boyde (Fingering)\u003c\/p\u003e  \u003cp\u003eWhen his contemporaries heard the works that Johannes Brahms had composed during his summer holiday in Ischl in 1893 – the Piano Pieces op. 118 –, they were delighted. Clara Schumann was one of the first to be allowed to get to know the new pieces, and she attested that they contained “a wealth of sentiment in the smallest of dimensions”. Philipp Spitta fittingly said that the works were “perfect for slowly absorbing in solitude and tranquillity”. Opus 118 contains two of the composer's best known miniatures – the Intermezzo in A major and the Romanze in F major. We particularly recommend this volume, based on the musical text in the New Brahms Complete Edition, to all those who wish to immerse themselves in the world of Brahms' late works.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805617918107,"sku":"080\/HN1215","price":139.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-1215.jpg?v=1593511026"},{"product_id":"haydn-complete-piano-sonatas-volume-iii","title":"Haydn: Complete Piano Sonatas, Volume III","description":"\u003ch3\u003e\u003cspan\u003eJoseph Haydn\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoseph Haydn\u003c\/span\u003eAmong Joseph Haydn’s extensive oeuvre is an almost inexhaustible stock of piano sonatas. With altogether over 50 works, they form a significant segment of his overall output. One of this composer’s great achievements is that in these sonatas – as in many other genres, such as the symphonies and string quartets – Haydn bridges discrepant stylistic eras, and lays the founding stone for the classical piano sonata.\u003cbr\u003e\u003cbr\u003eVolume III stands out for its eleven exceptionally lovely and important pieces. Five of them are in two movements, including the often played Sonata in G major Hob.XVI:40.\u003cbr\u003eThe eleven pieces are basically all masterworks amongst which the e minor Sonata Hob.XVI.34, the E-flat major Sonata Hob. XVI:49 and a second E-flat major Sonata (this one written in England), Hob. XVI:52, deserve special attention.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805618376859,"sku":"080\/HN242","price":349.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0242.jpg?v=1593511029"},{"product_id":"haydn-piano-sonata-e-flat-major-hob-xvi-49","title":"Haydn Piano Sonata E flat major Hob. XVI:49","description":"\u003cp\u003eThe Sonata in E flat major Hob. XVI:49 is one of the masterpieces among Joseph Haydn’s sixty-or-so piano sonatas. It epitomises the Haydn sonata-type par excellence, with inner serenity and clarity, measured sobriety and – having regard to its large and richly structured opening movement – perfect form. For all that, Haydn did not neglect his feeling for individual special touches, seen here in the last movement, a graceful minuet in rococo style. The distinguished Haydn researcher Georg Feder has edited this Urtext edition; the fingerings by piano pedagogue Hans-Martin Theopold make it particularly valuable.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805618999451,"sku":"080\/HN359","price":116.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0359.jpg?v=1593511032"},{"product_id":"ravel-pavane-pour-une-infante-defunte","title":"Ravel: Pavane pour une infante défunte","description":"\u003ch3\u003eMaurice Ravel\u003c\/h3\u003e\n\u003cp\u003eAlexandra Marx (Editor)\u003cbr\u003e\u003cbr\u003ePascal Rogé (Fingering)\u003c\/p\u003e\n\u003cp\u003eAccording to Ravel himself, the strange title of the little piano piece composed in 1899, “Pavane for a dead princess”, should not be ascribed too much importance. He chose it mainly because he liked the alliteration it contained. At the same time he did, however, agree that the music evokes “a pavane that a little princess once might have danced at the Spanish court”. Following its premiere in 1902 the simple but effective piece gained unparalleled popularity, not least reflected in the numerous arrangements made of it, one of which, for small orchestra, was by Ravel himself. We are publishing the work in its original version as a fitting addition to our works by Ravel.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805620998299,"sku":"080\/HN1260","price":89.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-1260.jpg?v=1593511035"},{"product_id":"rachmaninoff-24-preludes-for-piano","title":"Rachmaninoff: 24 Preludes (Piano)","description":"\u003ch3\u003eSergej\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRachmaninoff (Rachmaninow)\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDominik Rahmer (Editor)\u003cbr\u003e\u003cbr\u003eMarc-André Hamelin (Fingering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBased on the Prélude in c sharp minor Op. 3 No. 2 written in 1892 that quickly became world-famous, Rachmaninoff composed a further two collections of Préludes in the years up to 1910. These were also published as a complete volume in 1911. Based on the corresponding models by Chopin, Scriabin and their great forerunner J.S. Bach they comprise a cycle of 24 Préludes in all major and minor keys, but unlike the other ones are not organized systematically according to keys. A final highlight of late Romantic piano music, which no pianist can ignore!\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"Marc-André Hamelin talks about Sergei Rachmaninoff\" src=\"https:\/\/www.youtube.com\/embed\/L0R6ycCsoLg\" height=\"642\" width=\"1140\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e24 Préludes\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805624537243,"sku":"080\/HN1200","price":328.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-1200.jpg?v=1593511037"},{"product_id":"liszt-liebestraume-for-piano","title":"Liszt: Liebestraume, 3 Notturnos (Piano)","description":"\u003ch3\u003eFranz Liszt\u003c\/h3\u003e\n\u003cp\u003eErnst-Günter Heinemann (Editor)\u003cbr\u003e\u003cbr\u003eKlaus Schilde (Fingering)\u003c\/p\u003e\n\u003cp\u003eThese Drei Notturnos appeared in 1850 in two different versions: the first for high voice and piano and the second for piano solo. In the latter version the music is preceded by the song texts (no. I Hohe Liebe, no. II Seliger Tod: with texts by Ludwig Uhland, no. III O lieb, so lang Du lieben kannst: text by Ferdinand Freiligrath). The third Liebestraum – in the best tradition of nocturnes – is one of the most frequently played piano pieces of all. This is not least because it can be played by very skilled amateurs despite its pianistic bravura (our level of difficulty is 6\/7).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLiebesträume, 3 Notturnos:\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eHohe Liebe\u003cbr\u003eSeliger Tod\u003cbr\u003eO lieb, so lang du lieben kannst!\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805624832155,"sku":"080\/HN634","price":159.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0634.jpg?v=1593511040"},{"product_id":"schubert-impromptus-and-moments-musicaux","title":"Schubert: Impromptus and Moments musicaux","description":"\u003ch3\u003e\u003cspan\u003eFranz Schubert\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eWalter Gieseking (Editor, Fingering)\u003c\/p\u003e\n\u003cp\u003eFranz Schubert’s piano works belong to pianists’ core repertoire and of course, to Henle’s, too. Our catalogue contains almost all of Schubert’s piano compositions. This volume contains the piano works that are played the most: the two collections of four Impromptus (D 899 and D 935) as well as the six Moments Musicaux (D 780). Our edition was first printed in the year that the publishing house was founded, in 1948. The editor and person who provided the fingerings was a pianist who is still greatly admired: Walter Gieseking. \u003ca href=\"http:\/\/www.youtube.com\/watch?v=FsWvQwwjQeI\"\u003eHere\u003c\/a\u003e you can listen to him play Schubert himself. We have made numerous “cuttings” from this main “plant”; single editions with the identical musical text of the Impromptus op. 90, \u003ca href=\"https:\/\/www.henle.de\/en\/detail\/?Titel=Impromptu+c+minor+op.+90+no.+1+D+899_487\"\u003eNo. 1\u003c\/a\u003e, \u003ca href=\"https:\/\/www.henle.de\/en\/detail\/?Titel=Impromptu+E+flat+major+op.+90+no.+2+D+899_373\"\u003eNo. 2\u003c\/a\u003e, \u003ca href=\"https:\/\/www.henle.de\/en\/detail\/?Titel=Impromptu+G+flat+major+op.+90+no.+3+D+899_488\"\u003eNo. 3\u003c\/a\u003e and \u003ca href=\"https:\/\/www.henle.de\/en\/detail\/?Titel=Impromptu+A+flat+major+op.+90+no.+4+D+899_374\"\u003eNo. 4\u003c\/a\u003e as well as the \u003ca href=\"https:\/\/www.henle.de\/en\/detail\/?Titel=Moments+Musicaux+op.+94+D+780_375\"\u003eMoments musicaux\u003c\/a\u003e.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":34805628534939,"sku":"080\/HN4","price":229.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0004.jpg?v=1593511059"},{"product_id":"study-it-sticky-note","title":"Study-It Sticky Note","description":"\u003cp\u003eSticky notes (25 and 100 sheets) with page marker set in 5 colours, 78 x 105 mm, hardcover\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":35576071553179,"sku":"080\/HN8014","price":39.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/foto_study-it_web.jpg?v=1597841201"},{"product_id":"bach-fantasies-pre-fugues","title":"Bach: Fantasies, Preludes and Fugues","description":"\u003ch3\u003e\u003cspan\u003eJohann Sebastian Bach 巴哈\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eGeorg von Dadelsen (Editor)\u003cbr\u003e\u003cbr\u003eKlaus Rönnau (Editor)\u003cbr\u003e\u003cbr\u003eHans-Martin Theopold (Fingering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn contrast to the large collections of partitas, along with the French and English Suites, Bach’s Fantasies, and his Preludes and Fugues besides the Well-Tempered Clavier have not come down to us as interconnected cycles. Perhaps this is one of the reasons why only few of these works gained widespread popularity. Only the much-acclaimed Chromatic Fantasy and Fugue BWV 903\/903a and the great c-minor Fantasy BWV 919 have found a permanent place in pianists’ concert repertoires.\u003cbr\u003eSome of the works compiled in this volume are undoubtedly juvenilia that do not yet hint at the mature Bach whilst nevertheless pointing out the composer’s fresh power of invention.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":36133868273819,"sku":"080\/HN219","price":399.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0219.jpg?v=1601009624"},{"product_id":"bach-goldberg-variations-bwv-988","title":"Bach: Goldberg Variations BWV 988","description":"\u003ch3\u003e\u003cspan\u003eJohann Sebastian Bach 巴哈\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eRudolf Steglich (Editor)\u003cbr\u003e\u003cbr\u003eHans-Martin Theopold (Fingering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe “Goldberg” Variations are without a doubt the most important piano cycle of the 18th century. Only Beethoven’s “Diabelli” Variations from the 19th century can be compared to them as far their far-reaching significance is concerned. Bach’s own manuscript might not have survived, but the corrected first printing of the “Aria mit verschiedenen Veraenderungen vors Clavicimbal mit 2 Manualen” (thus the title) has done so. This first edition serves as the primary source for our edition; furthermore the musical text was compared to other sources as, for example, with Bach’s own record of the “Aria” (not yet referred to as such) in the little notebook for Anna Magdalena.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":36133868503195,"sku":"080\/HN159","price":179.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0159.jpg?v=1601009627"},{"product_id":"bach-italian-concerto-bwv-971","title":"Bach: Italian Concerto BWV 971","description":"\u003ch3\u003e\u003cspan\u003eJohann Sebastian Bach 巴哈\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eRudolf Steglich (Editor)\u003cbr\u003e\u003cbr\u003eHans-Martin Theopold (Fingering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDuring the years 1713\/14, when he held the position of court organist in Weimar, Bach arranged a large number of concertos by contemporary composers for keyboard or organ solo. More than 20 years later, in 1735, he published his Concerto in the Italian Style: a truly original work that can confidently be described as his “summa summarum,” the climax of this genre. The autograph is no longer extant, which means that for Henle’s Urtext edition, the first print – corrected by Bach – served as the main source. The forte and piano markings found in the work signalize the alternation between imaginary tutti and solo sections.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":36133868568731,"sku":"080\/HN160","price":109.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0160.jpg?v=1601009629"},{"product_id":"bach-little-preludes-and-fughettas","title":"Bach: Little Preludes and Fughettas (Piano)","description":"\u003ch3\u003e\u003cspan\u003eJohann Sebastian Bach 巴哈\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eRudolf Steglich (Editor)\u003cbr\u003e\u003cbr\u003eHans-Martin Theopold (Fingering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis edition with over 50 pages contains the universally known selection of easy preludes and little fugues that has proved extremely successful in teaching the piano. Bach’s sons, with Wilhelm Friedemann and Carl Philip Emanuel leading the way, were already able to learn them. If you make your way through these pieces (which gradually become more challenging), you can make great progress on the piano, and what is more these 300-year-old compositions are still able to work their musical magic. Those who are technically more advanced should still occasionally sight read through them; you will then immediately see that they are real gems. Incidentally, all of Bach’s piano works are available from Henle both with and without fingerings.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":36133868798107,"sku":"080\/HN106","price":189.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0106.jpg?v=1601009631"},{"product_id":"bach-partita-a-minor-bwv-1013-for-flute-solo","title":"Bach: Partita a minor BWV 1013 for Flute solo","description":"\u003ch3\u003e\u003cspan\u003eJohann Sebastian Bach 巴哈\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eBach had a predilection for creating solo works for instruments that were more usually supplied with a keyboard accompaniment. It is thus only logical that, as well as the violin and cello, he also thought of making use of the typical melodic character of the flute in this way.\u003cbr\u003eThrough the skillful use of broken chords he even succeeds in creating the illusion of polyphony. It soon becomes clear that Bach’s lyrical cantilenas are convincing even without the support of accompanying chords on a keyboard instrument. A high point in flute literature!\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":36133868896411,"sku":"080\/HN457","price":99.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0457.jpg?v=1601009634"},{"product_id":"bach-partitas-1-3-bwv-825-827","title":"Bach: Partitas 1-3 BWV 825-827","description":"\u003ch3\u003e\u003cspan\u003eJohann Sebastian Bach 巴哈\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eEach one of Bach’s six Partitas features seven great single movements, predominantly in the sequence: Präludium – Allemande – Courante – Sarabande – [two free dances] – Gigue. These partitas can justifiably be described as Bach’s “ultimate” cycle of suites. As regards the artistic and manual demands, it goes far beyond its “English” (HN 100) and “French” (HN 71) siblings that are also frequently played. It is no coincidence that Bach only had these six partitas printed (1731), and what is more as “Opus 1”.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":36133869191323,"sku":"080\/HN30","price":159.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0030.jpg?v=1601009636"},{"product_id":"bach-partitas-4-6-bwv-828-830","title":"Bach: Partitas 4-6 BWV 828-830","description":"\u003ch3\u003e\u003cspan\u003eJohann Sebastian Bach 巴哈\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eEach one of Bach’s six Partitas features seven great single movements, predominantly in the sequence: Präludium – Allemande – Courante – Sarabande – [two free dances] – Gigue. These partitas can justifiably be described as Bach’s “ultimate” cycle of suites. As regards the artistic and manual demands, it goes far beyond its “English” (HN 100) and “French” (HN 71) siblings that are also frequently played. It is no coincidence that Bach only had these six partitas printed (1731), and what is more as “Opus 1”.\u003c\/p\u003e","brand":"HENLE G. 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The highly expressive violin melody in the second movement speaks for itself: the harpsichord version cannot provide a real replacement for it.\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":36133869453467,"sku":"080\/HN670","price":179.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0670.jpg?v=1601009646"},{"product_id":"bach-violin-sonatas-partitas-bwv1001-6","title":"Bach: Sonatas and Partitas BWV 1001-1006 for Violin solo","description":"\u003ch3\u003e\u003cspan\u003eJohann Sebastian Bach 巴哈\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eKlaus Rönnau (Editor)\u003cbr\u003e\u003cbr\u003eWolfgang Schneiderhan (Fingering and bowing for Violin)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBach’s six violin soli have come down to us in a particularly beautiful fair copy made by the composer himself. They, along with the six cello suites, are regarded as musical and technical milestones of musical literature. Bach skillfully employs the resources of the violin to produce genuine polyphony in some sections through the use of arpeggiated chords and double stops. The culmination of these achievements is the famous Chaconne from the second Partita, which achieves great musical density while presenting the violinist with previously unheard-of technical challenges. The part marked by Wolfgang Schneiderhahn accommodates practical use and includes suggestions for accords and arpeggios.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"Bach: Sonatas and Partitas for Violin Solo - English - interview with Kurt Guntner\" src=\"https:\/\/www.youtube.com\/embed\/_Z24AgkxeL8\" height=\"642\" width=\"1140\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"HENLE G. 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With the more lengthy final variation the work fades to a close.\u003c\/p\u003e","brand":"HENLE G. 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Beethoven might have been influenced by the sound of the Aeolian harp, as Murray Perahia and Norbert Gertsch explain in the introductory texts to this edition, referring to the latest research. Perahia also provided the fingerings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano Sonata (Moonlight Sonata) c sharp minor op. 27,2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-item=\"0\" class=\"content-item\"\u003e\n\u003cli class=\"column-difficulty\"\u003ePiano\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"grade-circle\"\u003e7\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003edifficult\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eABRSM:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.henle.de\/en\/service\/abrsm\/search\/?ABRSM=Piano\u0026amp;Grade=DipABRSM\"\u003ePiano DipABRSM\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":36133869813915,"sku":"080\/HN1062","price":99.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-1062.jpg?v=1601009654"},{"product_id":"beethoven-piano-sonata-no-17-d-minor-op-31-no-2-tempest","title":"Beethoven: Piano Sonata no. 17 d minor op. 31 no. 2 (Tempest)","description":"\u003ch3\u003e\u003cspan\u003eLudwig van Beethoven 貝多芬\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eNorbert Gertsch (Editor)\u003cbr\u003e\u003cbr\u003eMurray Perahia (Editor, Fingering)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor half a century Henle’s edition of the Beethoven sonatas – the “New Testament” of the piano repertoire – has been universally recognized as the stan-dard starting-point for any serious study of these works. Now, with the publication of the three op. 31 sonatas in revised separate editions, we are raising the yardstick another notch: no less a musician than the pianist and conductor Murray Perahia hasagreed, for the first time ever, to publish his fingerings and, as co-editor, to confide his profound insights into the sources to music lovers everywhere. The musical text has been prepared in strict accordance with the rules of modern Urtext editing, and the volume is rounded off with a lengthy and informative preface and detailed notes on sources and alternative readings. To be continued …!\u003c\/p\u003e","brand":"HENLE G. VERLAG","offers":[{"title":"Default Title","offer_id":36133869977755,"sku":"080\/HN784","price":99.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/0169\/9387\/products\/HN-0784.jpg?v=1601009657"},{"product_id":"beethoven-piano-sonata-no-5-c-minor-op-10-no-1","title":"Beethoven: Piano Sonata no. 5 c minor op. 10 no. 1 (HN47)","description":"\u003ch3\u003e\u003cspan\u003eLudwig van Beethoven 貝多芬\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eBertha Antonia Wallner (Editor)\u003cbr\u003e\u003cbr\u003eConrad Hansen (Fingering)\u003c\/p\u003e\n\u003cp\u003eBeethoven wrote his three Sonatas opp. 10 in 1795\/98 and dedicated them to Countess von Browne-Camus. Compared with the Sonatas opp. 2, the composer takes another notable step forward with them, both with respect to piano technique as well as to the treatment of the sonata movement form. The opening movement of the first sonata presented here recalls Mozart’s “Great” c minor K. 457. Perhaps his most emotional slow movement up to that time, the Adagio molto ends with an exuberant, assertive Prestissimo.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano Sonata c minor op. 10,1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"content-item\" data-item=\"0\"\u003e\n\u003cli class=\"column-difficulty\"\u003ePiano\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"grade-circle\"\u003e7\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003edifficult\u003c\/li\u003e\n\u003cli class=\"column-difficulty\"\u003eABRSM:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.henle.de\/en\/service\/abrsm\/search\/?ABRSM=Piano\u0026amp;Grade=DipABRSM\"\u003ePiano DipABRSM\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"HENLE G. 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