In 1849, Schumann gifted chamber music works to three wind instruments: the clarinet with the “Drei Fantasiestücke” op. 73, the horn with the Adagi...
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The circumstances in which these poetic “Soirée Pieces” (thus their original title) came into being are quite surprising. In 1849 Dresden was seize...
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This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently p...
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The Fantasias for flute without bass address themselves less to the virtuoso than to the amateur flutist, who will find everything he wishes in the...
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For the elaboration of his eight Spanish Dances (HN 1370), Sarasate employed extant material – folk melodies or songs by well-known composers – whi...
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Combining these two Schumann bestsellers seemed very natural: both of the titles not only reflect their inner association but the technical demands...
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